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    <title>Persian and Arabic Adaptive Researches</title>
    <link>https://jcsfa.modares.ac.ir/</link>
    <description>Persian and Arabic Adaptive Researches</description>
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    <pubDate>Mon, 23 Aug 2021 00:00:00 +0430</pubDate>
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    <item>
      <title>Manifestations of Iranian mysticism in the poetry of Mohammad Adam</title>
      <link>https://jcsfa.modares.ac.ir/article_20890.html</link>
      <description>Due to its richness and long history, Iranian mysticism has been able to fascinate everyone. In Iranian mysticism, the goal of the seeker is to gain knowledge through the stages of conduct and strive to purify his soul. Comparative literature is a suitable context that plays an important role in this regard. In the meantime, Muhammad Adam, a modern poet, gifted and alive in Egypt, whose poetic life is tied to mysticism and Sufism; In some of his poems, he mentions mystical-Iranian thoughts that have been influenced by them. Therefore, the present study seeks to show how Mohammad Adam Adam's poetry is influenced by Iranian mysticism through a descriptive-analytical method. This research is generally divided into three main sections. In the first part, Iranian mystics who were influenced by Mohammad Adam, in the second part, common mystical terms and in the final part, common mystical symbols with these mystics in his poetry are examined. The findings of the research indicate that Mohammad Adam has benefited from the boiling source of Iranian mystics, among whom are: Rumi, Suhrawardi, Hallaj and Ghazali. Also among the manifestations of Mohammad Adam's influence on Iranian mysticism, common mystical terms such as: 1) existence and non-existence 2) love 3) praise of God 4) soul 5) unity 6) travel and also common mystical symbols with Iranian mystics including: 1- Light 2- Candle 3- Fish 4- Night. </description>
    </item>
    <item>
      <title>Application of Max Losher Color Theory of Color in Critique and Analysis of Poems by Ahmad Matar and Mirzadeh Eshghi</title>
      <link>https://jcsfa.modares.ac.ir/article_20891.html</link>
      <description>The tendency of writers to use different colors reflects different psychological reflections in them. The Max Luscher test is one of the best personality tests in psychology. This research was analyzed with the help of Luscher theory and descriptive-analytical method has been used to identify the personalities of Ahmad Matar and Mirzadeh Eshghi. Red with a frequency of 195 is in the first place of Matar poems. According to Luscherchr('39')s theory, Matar is a hard-working person who wants peace. He has close control over his emotional relationships, finds it difficult to trust anyone, and uses colors to express his or her societal discrimination.&#13;
  In love poems, yellow and white are in the first place with a frequency of 306. The results show that he is looking for an escape route to get out of the difficulties of his society and is very interested in new experiences. He wants to reach a high position and be respected by others, he is never calm and puts pressure on his external environment to achieve his ambitions.</description>
    </item>
    <item>
      <title>A Comparative Study of the Nonlinear Plot in the Two Postmodern Novels of Land of the Missing and I Am Not a Tiger, wrapped up</title>
      <link>https://jcsfa.modares.ac.ir/article_20892.html</link>
      <description>One of the important elements of the novel that constitutes its main form is the element of plot. The plot consists of a structure consisting of start, expansion, suspension, climax, untying, and ending. Knowing this structure allows the reader to experience the story well and understand it through a specific time process. Contemporary novelists, given the experience they gained from the new world, They found that in writing the story, the sequence of the plot structure could be broken and disturbed. In such stories, due to the abandonment of accepted traditions of art and the creation of new narrative styles, the events of the story are intertwined and the boundary between beginning and end is not defined. It also sometimes happens that the characters of the story invite the reader to implicitly play a role in the ending of the story. In the present study, based on the descriptive-analytical method, an attempt is made to make a comparative study of nonlinear plot in the novel " Land of the Missing" by Elias Khoury and the novel "I am not a tiger" by Mohammad Reza Safdari. Given that in these two works, traces of modern and postmodern fiction can be seen</description>
    </item>
    <item>
      <title>comprative reading of plot and its elements in "Soudabeh and Siavash" tale from Shahnameh and "Anectode of Women's Imposture" from Thousand and One Nights tale</title>
      <link>https://jcsfa.modares.ac.ir/article_20893.html</link>
      <description>Thousand and One Nights is tales from the language of an informed and literate narrtor which is aware from tales of different nations anf fiction litertures earlier than himself (or herself); such that it is said that there is rarely an story in this book that not to have leaders, derivatives and similarities. One of anectodes of this book is "Anectode of Women's Imposture" which its plot structure has many similarities with "Soudabeh and Siavash" tale in Shahnameh. This research in a comprativemanner, has addressed to this narrative elements and has obtained this conclusion that the plot in these two stories is very close to each other and this similarity of the plot structure in these two stories is related to thier root and background. Present sermon implying that anectode of Women's Imposture from Thousand and One Night book beacause of morphophonemics reasons and similarity and harmony of plot structure of these two stories and writing of Thousand and One Night in periods earlier than emersion of the Siavash tale in Iran, can be another report and narration from Siavash tale that has been narrated in Ferdowsi's Shahnameh</description>
    </item>
    <item>
      <title>A comparative study of the "Mass City" story in the context of history and mythology</title>
      <link>https://jcsfa.modares.ac.ir/article_20894.html</link>
      <description>This component is more significant in the relationship between the humanities in general and history in particular with literature. This paper seeks to illustrate this convergence by comparing the metaphorical "Mass City" in the context of history and mythology.&#13;
The story of the city of the Mass is one of the tales quoted in thousand and One Nights and in addition to some of the works of Arab geographers, it also comes as a true historical text. The mission of Musa Ben Nassir to Africa, besides introducing historical events into the world of legends, also makes him a legendary figure. That's why he has two personality dimensions: Historical and legendary. As for the city of Mass, it is possible to make such an image. It is certain that every narrative and historical personality does not enter the legendary area. Therefore, the study intends to extract the legendary signs of the historical plan of the Moses mission to conquer the Maghreb and Andalusian lands, and examine it in the narrative of the city of Mass in one thousand and one nights. the result shows a series of factors such as the distinguished personality of Moses, the pretentiousness of the Maghreb and Andalusia, successive conquests and countless victories of spoils has changed the event and transmitted it quickly from the historical text to the legendary text. The method used in this descriptive-analytic study is based on the American Comparative Literature School.</description>
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    <item>
      <title>the effect of Lefevere's systemic limitations in rewriting of the lyric 10 th and 12 th of Hafez. (Translated by omar shebli Al-Sowayri)</title>
      <link>https://jcsfa.modares.ac.ir/article_20895.html</link>
      <description>Lefevere  considers translation as a kind of rewriting that is informed by the extra-systemic limitations like ideology and intra-systemic limitations like poetics. Adopting a descriptive-analytical approach, this research seeks to study the chebli’s rewriting of  the ghazal 10th and 12th of Hafez The final result of this research, shows this rewriting is influenced by Poetic limitation and ideological . Manifestations of Lefeverechr('39')s view can be seen in the form of poems and manipulating the rhythm,  music,inverting the use of pronouns, increasing some words, and domesticating,with the mystical attitude oon the rewriting of monastic symbols , and  feast (bazm). Sometimes it is far from Lefevere ‘s view by exaggerating, unclear meaning and the same reception of "Pir"  and "Sheikh".</description>
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